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March 16th
Duo Restaurant, 4.30 p.m.
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Literary afternoon with VILMOS CSAPLÁR |
| | DISCUSSION PARTNER: GÁBOR NÉMETH
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March 20th
Gellért Hotel, Gobelin Room, 7.00 p.m.
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UN PEUPLE A CRIÉ – cocktail of music and literature in French |
| | WITH: NÓRA BENKŐ, ATTILA BARDÓCZY, TAMÁS DUNAI, LILLA MIKES, ÉVA FERENCZ, SÁNDOR ROMÁN AND GYÖRGY VUKÁN
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March 21st
Attila József Theatre, 7.00 p.m.
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MUSIC HALL – Csákányi/Kulka evening |
| | MUSICAL DIRECTOR: ISTVÁN SILLÓ
WITH: ESZTER CSÁKÁNYI, JÁNOS KULKA
COREOGRAPHY: TIBOR KOVÁTS
LIGHTING: TAMÁS BÁNYAI
COSTUMES: ZOLTÁN TÖLGYESI
LYRICS: ÁDÁM NÁDASDY AND GERGELY ZÖLDI
ASSISTANT DIRECTOR: BENCE MATTYASOVSZKY
DIRECTOR: ANDRÁS ALMÁSI TÓTH
| | | Costumes made by the Brokát Fashion House.
(The production has been supported
by Vivendi Telecom Hungary.) |
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March 22nd
Attila József Theatre, 7.00 p.m.
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MUSIC HALL – Csákányi/Kulka evening |
| | MUSICAL DIRECTOR: ISTVÁN SILLÓ
WITH: ESZTER CSÁKÁNYI, JÁNOS KULKA
COREOGRAPHY: TIBOR KOVÁTS
LIGHTING: TAMÁS BÁNYAI
COSTUMES: ZOLTÁN TÖLGYESI
LYRICS: ÁDÁM NÁDASDY AND GERGELY ZÖLDI
ASSISTANT DIRECTOR: BENCE MATTYASOVSZKY
DIRECTOR: ANDRÁS ALMÁSI TÓTH
| | | Costumes made by the Brokát Fashion House.
(The production has been supported
by Vivendi Telecom Hungary.) |
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March 23rd
Duo Restaurant, 4.30 p.m.
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CALM
ATTILA BARTIS, AUTHOR OF THE STROLL, AND BLUISH MIST TALKS ABOUT HIS LATEST BOOK. |
| | DISCUSSION PARTNER: PÉTER RÁCZ
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March 23rd
Madách Theatre, 7.00 p.m.
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Tibor Kocsák–Tibor Miklós:
ANNA KARENINA
– musical-opera in two acts based on the novel by Leo Tolstoy |
| | DIRECTOR: BÉLA SZEREDNYEY
CHOREOGRAPHY: DÁVID SÁNDOR AND VIKTÓRIA VÁRADY
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March 25th
Budapest Operetta Theatre / Raktár Theatre, 7.30 p.m.
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Gergely Vajda–András Almási-Tóth–Szilárd Borbély: THE GOLEM (première) |
| | LEGEND IN TWO PARTS, BASED ON JEWISH STORIES AND MELODIES | | | WITH: ÁDÁM RAJHONA, MÓNIKA SÁFÁR, ÁGOTA SIMÉNFALVI, TIBOR SZLOBODA (GUEST APPEARANCE), TAMÁS FÖLDES, SZILVESZTER P. SZABÓ, CSABA JANTYIK
SCENERY, PUPPETS: MARGIT BALLA
COSTUMES: ANDREA FÖLDI
DRAMATURGE: ENIKÕ PERCZEL
MOVEMENT: TAMÁS GYÖNGYÖSI
CONDUCTOR: GERGELY VAJDA
MUSICAL ASSISTANT: MÁRTON RÁCZ
DIRECTOR: ANDRÁS ALMÁSI-TÓTH
| | | (A joint production with the Budapest Puppet Theatre. Production created and staged with the major support of the European Association for Jewish Culture. |
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March 26th
Kamra Theatre, 7.00 p.m.
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Guest performance by the
THEATER TRI-BÜHNE |
| | YASMINA REZA: LIFE x 3
HENRI: WILHELM SCHNECK;
SONJA: KATHRIN HILDEBRAND; HUBERT FINIDORI: RAINER SUTER;
INES FINIDORI: EDITH KOERBER | | | DIRECTOR: ANDOR LUKÁTS
MUSIC: DIETRICH LUTZ; STAGE DESIGN: CSÖRSZ KHELL
COSTUMES: GYÖRGYI SZAKÁCS
| | | Performance in German with simultaneous translation.
(An event of the Baden-Württemberg Days.) |
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March 27th
Kamra Theatre, 7.00 p.m.
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Guest performance by the
THEATER TRI-BÜHNE |
| | YASMINA REZA: LIFE x 3
HENRI: WILHELM SCHNECK;
SONJA: KATHRIN HILDEBRAND; HUBERT FINIDORI: RAINER SUTER;
INES FINIDORI: EDITH KOERBER | | | DIRECTOR: ANDOR LUKÁTS
MUSIC: DIETRICH LUTZ;
STAGE DESIGN: CSÖRSZ KHELL
COSTUMES: GYÖRGYI SZAKÁCS
| | | Performance in German with simultaneous translation.
(An event of the Baden-Württemberg Days.) |
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March 28th
Vigadó Concert Hall, 7.00 p.m.
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WITHOUT BALLET SHOES |
| | STAGE ADAPTATION IN FRENCH OF “MA VIE” BY ISADORA DUNCAN
ISADORA DUNCAN: JOHANNA BODOR
DUNCAN’S MOTHER: LILLA MIKES | | | WITH THE PARTICIPATION OF AND CHOREOGRAPHY BY: GYÖRGY SZAKÁLY
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March 29th
Budapest Chamber Theatre - Tivoli, 7.00 p.m.
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SHAKESPEARE: MACBETH |
| | DIRECTOR: RÓBERT ALFÖLDI
WITH: QUATUOR PARISII
| | | (With the support of the French Institute.) |
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March 30th
Duo Restaurant, 4.30 p.m.
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Afternoon conversation with poet
ANDRÁS FERENC KOVÁCS |
| | DISCUSSION PARTNER: ISTVÁN CSUHAI
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April 1st
Madách Theatre / Tolnai Salon, 7.30 p.m.
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LET’S PLAY MOZART! |
| | WITH: ILDIKÓ HŰVÖSVÖLGYI, RÓZA JUHÁSZ, ARMAND KAUTZKY
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April 1st
National Theatre, 7.30 p.m.
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ANATOLIJ VASILJEV EVENING |
| | Pushkin: Mozart and Salieri / Vladimir Martinov: Requiem
AS MOZART: IGOR JATSKO; AS SALIERI: ALEXANDR JATSKO
ALSO: NIKOLAI CHINGAJKIN, ALEXANDR OGARJOV, KIRILL GREBENSHCHIKOV, OLEG MALAHOV, NIKITA TUNYIN | | | DIRECTOR: ANATOLIJ VASILJEV
WITH: OPUS POSTH. CHAMBER ORCHESTRA (artistic director: Tatjana Grindenko) AND THE SIRIN CHORUS (artistic director: Andrej Kotov)
MUSIC: VLADIMIR MARTINOV
MUSICAL DIRECTOR: TATJANA GRINDENKO
SCENERY: IGOR POPOV, ANATOLIJ VASILJEV
SETS CREATED BY: VLADIMIR KOVALCHUK
WITH: THE MOSCOW “SCHOOL OF DRAMATIC ART”
| | | The performance presented in the Moscow “School of Dramatic Art” theatre in 1999, the bicentenary of the birth of Alexander Pushkin sums up the search for directions in recent years by Anatolij Vasilijev, blending the distinctive “Vasilyevan” ritual theatre speech technique and the music structure and choreography characteristic of mystery plays into a refined polyphonic stage composition. In the performance the poetry of Pushkin, the music of Vladimir Martinov and the figures of Mozart and Salieri form a unity which, together with the spectacular visual impact of the scenery and costumes, make the audience participants in a special, almost esoteric initiation. |
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